www.ivomilan.it

   IVO MILAN – Radical Fashion Blog

Archive
Tag "Highlighted post"

When presenting a collection, the context from which it draws inspiration, the atmosphere and local culture that shape its identity, are often overlooked. In a way, getting to know a designer, a company or a brand has a lot to do with geography.

While globalization tends to erase local distinctiveness, homogenizing knowledge, tastes and preferences, there are, in parallel, realities that quietly resists, capable of synthesizing the modernity of contemporary metropolises with the ancient wisdom of remote lands, where customs and traditions express a deep connection and respectful balance between humans and nature.

This is clearly the case with Bergfabel, a South Tyrol brand whose name combines the German word ‘Berg’ (mountain) and ‘Fabel’ (folk tale), a language still deeply rooted in Vipiteno, a small village nestled in the South Tyrolean Alps on the border with Austria, where Klaus Plank, the brand’s designer, was born.

Alpine landscapes, towering mountains and long green valleys, pastures and flowers bordered by coniferous forests, speak to the long human adaptation to the harshness of cold winters and the gentleness of spring.

It’s an aesthetic harmony, a mutual, happy anthropization that is easily found in Bergfabel’s garments: in the color palette that follows the seasonal rhythm, in the preference for natural fibers, rustic wools, and liven-in-looking cottons, and in the traces of South Tyrolean folklore visible in certain garments and jackets, in the cuts and hand-finished details.

The more traditional aspects are softened by the big textile research carried out by Klaus and his wife Barbara, and by their skill in creating silhouettes that – through carefully placed formal gestures such as pleats between slits, sleeve hems, and borders – are ideal for more international contexts, made for travel and for feeling at ease, anytime and anywhere

Because the underlying idea behind Bergfabel’s stylistic approach is not only to keep the connection with its native land alive, but above all, to offer it in its essence, an habitat that brings pleasure and comfort to the wearer, just like immersing oneself in the landscapes of the high Tyrolean valleys.

Read More

We have already had the opportunity to present the work of one of our most recent new entries, Melitta Baumeister, but it is with great satisfaction that we share the prestigious recognition she has just received as the winner of the 2025 edition of the National Design Award from the Cooper Hewitt Smithsonian Design Museum in New York.

The most important United States institution, dedicated exclusively to historic and contemporary design, and home to one of the world’s most articulated collections, with over 215.000 objects that cover 30 centuries of history, insaugurated this award in 2000,in collaboration with the Millennium Council of the White House, to highlight the impact of design on daily life and our ecosystem. The awards, diverse in their categories (fashion, interiors, architecture, communication, etc.), honor innovation and projects that have the potential to generate transformations in the social and natural world.

And what connection does this have with Melitta’s work?

As she herself states:

In our studio, we create clothing that will be worn and become part of someone’s life. It will attract attention, spark conversations, and sometimes challenge perceptions, encouraging new ways of seeing the world.”

After the success of the 2023 edition of the CFDA/Vogue Fashion Fund, the designer, of German origin, continues to confirm herself as a bright promise in the international fashion scene. Not only does her work manifest a strong aesthetic, where volumes and silhouettes become sculptural, surprising, and sometimes humorous and playful, but it is also deeply rooted in the ethics of slow-fashion, featuring a rich repertoire of enduring pieces and short supply chains with a low environmental impact.

So, why not take the opportunity to get to know some of her works, suitable for the in-between seasons, always with a strong transformative and timeless flavor?

 

Longuette ‘sculpture’ dress in polyester pleats hand dyed with iridescent effect, round-neck with profile in contrast of color, short rounded sleeves with circular band at the end, circular bottom with rigid inner band

Sculpture dress, long and lean, in recycled polyester and polyester jersey with bark texture, mock turtleneck with little buttons, long sleeves, padded band at the bottom with circular waves effect

Longuette ‘bomber’ dress, wide, in heavy nylon taffetas, round-neck with button on the back, sleeveless, big pocket applied on one side with high knit band, oversized bomber jacket like bottom with high knit band on the sides and longer on the back

Oversize peacoat in waterproof nylon canva, one chest, crater collar, zip-closure with double slider, vertical cut with opening on the back of the sleeve to be worn as a cloak, two welt pockets and two with zip in contrast of color on the back, two pockets applied on the bottom on the back, coulisse on the end of the sleeve and on the bottom of the peacoat

‘Sculpture’ dress, longuette, in polyester plissé with vertical folds on the bust and horizontal on the skirt with snakes tattoo print, round-neck, sleeveless, wide skirt and abstractly far from the body with wavy circle motif on the waist line

To discover the collections: Melitta Baumeister – Ivo Milan Radical Fashion

 

Read More

After 24 years spent in our historic space in Santa Lucia street, the story of IVO MILAN starts again in Altinate street 149, along the continuation of the same ancient roman street, Annia Popilia, overlooking the magnificent Romanesque Santa Sofia church and alongside the Pesaro Palace (Pizzo today), residence of a young Mozart in 1770, during his visit of Padua. Not only, very close to the baroque San Gaetano church and its very famous museum complex that stands nearby.

Every day the shop completes itself with new details, becoming more and more comfortable and showing slowly its innate beauty thanks to the warm wood of the ground floor ceiling, to the visible irregular stone wall of the hallway, to the second room floor in Creta’ stone and to the medieval volts of the basement.

Returning operative again in the lively atmosphere of residents, filled with young students facing their difficult exams of the faculties of engineering, statistics, physics and mathematics, the technical pole of the University of Padua. While shopping or drinking coffee you are immersed in the typical university routine, where every operator, from the bartender to the baker is part of that world, calling boys and girls by name, knowing the teacher’s fame, participating in the outcome of the exam: passed or failed? Complicit and busy faces, often festive, despite the inevitable exam’s anxiety.

A new life, animated by a passing by of people deeply connected to the historic Altinate hamlet.

With the welcome of the neighborhood, with some little insights of the new shops, we come back with our Mix and Match, worn by Ginevra and Sari. The photographic set still to be set up, the tirelessly rhythm of the fittings still to be done, alongside with the depth of the last few months, led us to show a little bit of ourselves at the debut of the Summer season, still under the effects of the titanic move we’ve just faced.

Ginevra is wearing the hip-lenght jacket, slim, in stretch silk and elastan georgette in shaded gold by RUNDHOLZ DIP, the long and lean tank top in light and blue tones printed jersey by RUNDHOLZ,  the short and wide trousers in hemp, cotton and metal pinstripe by MARC LE BIHAN and the ‘friar-like’ sandal in leather, wood and expanded eva by RAWCLAYS. As for the accessories she has the bag in green tones calf and cow leather by NUMERO 10.

Sari is wearing the hip-lenght top in cold tinted viscose and cotton twill in aubergine tones by ZIGGY CHEN, the 5 pockets trousers in washed and flamed ramié and linen denim by FORME D’EXPRESSION and HALF sabot in hammered cowhide leather slipper style by TRIPPEN. As for the accessories she has vertical rectangular bag in smooth cowhide leather by ZIGGY CHEN.

All the new collection currently has the 20% discount for the mid-sales.

We remind you that we changed the opening hours, you can find us from from Tuesday to Saturday from 10am to 1pm and from 3pm to 7 pm.

 

Read More

How many times in the shop has an occasional and distracted adventurer started with this exclamation: “Oh, yes, Issey Miyake, the perfumes one!“.

An expression that, in all its naive purity, revealed the striking distance between our work as promoters and popularizers of the so-called Japanese school and the public actually reached in the city. Maybe it also happened simultaneously with one of the many windows focused on a futuristic garment by Issey Miyake. Each time, that sound confirms the long way still to go and the burning frustration of being misunderstood. Without triggering a competition between the world of perfumes and that of clothes, even those who are not in the trade know how much his story belonged to the latter, with perfume being a typical gadget of the most established designers.

Yet not in Padova.

Bringing Issey Miyake to the city 24 years ago, when the brand still did not have a generalized fame and his perfume did not yet exist, did not create status, but only circulated within evolved global niches. This meant an important acceleration towards complexity and an indisputable recognition to the shop. First of all, in order to present it, the space had to have the aesthetic ‘requisites’ compatible with the strict philosophy of the Maison, whose concern for the future, rather than sales and the diffusion of the brand, was aimed at the defense of its cultural prestige. The staff of the Parisian showroom came personally to make sure everything was set and then gave us the green light that the collaboration between Ivo Milan and the company could begin in 1998.

And it was immediatly a great love what would become a long adventure; a challenge on the edge of the most heated creative tension, interrupted only by the closure of the store in 2020 (at the time we could not imagine being able to reopen) and by the inevitable advance of other local competitors…

It is useless to dwell on the unmpteenth narrative around the work of Issey Miyake because there are more expert pens than us that have written and are writing about it. In our own small way, we have had more opportunities to present the brand in its different lines (Pleats Please, BaoBao, Issey Miyake-Fête, A-Poc, 132. 5, Cauliflower) and the satellite ones of the group (Haat, A-net with Final Home, Plantation and Zucca). Since we have worked with all of them for a long time, we wanted to put a particular focus on the one that bears his name, offering it in its most daring, free and joyful expressions. We believe that bringing witness to this propulsive collaboration is the least we can do to the many people who, spontaneously, in these days, have contacted us to thank us for allowing them the opportunity to be so close to the best of Issey Miyake.

An overview of photos, articles, videos (many on our youtube channel) about this long journey together, with all the gratitude to the poetry that it has brought to our work… Thank you!


 

 

Read More

While the summer insists on its hottest manifestations, longing for holiday destinations, regenerating rhythms and locations, we return together to Sari with some outdoor shots.

An opportunity to observe, from other perspectives, lights and combinations the proposals of a catalog that is now close to welcoming the first autumn deliveries…Let’s go!

 

 

 

 

 

 

 

 

 

Many thanks to GART for the location and to Andrea Rossi for the photos

 

Accessoires by: Shoto (shoes and bags), Zilla (bags), Chisaki (hats).

Clothing by: Marc Le BihanAlbum di FamigliaDaniela GregisJunya WatanabeForme d’ExpressionShu MoriyamaMaria Calderara

 

 



Read More