www.ivomilan.it

   IVO MILAN – Radical Fashion Blog

Archive
Tag "Cauliflower-Issey Miyake"

miyake-issey-tokyo-exhibition

Teamwork, environmental ethos, experimentation and strong pragmatism, light and joy, the guidelines of a Maison built around the enlightened principles of its founder, Issey Miyake.

Issey Miyake Autumn/Winter 2015-16: runway show finale.

Against the perishing and obsolete destiny of fashion, against the fact that clothing reduces itself to a simply instrument of status and wealth affirmation, Miyake firmly believes in the rational and spacial nature of dressing up. The dress exists in function of the physicality of whom will wear it, it’s bounded to people life and daily movement. So it must match innovation and comfort criteria, because our existences proceed into space and time.

Pleats, Please, AW 2015-16

Pictures from the Pleats Please Autumn/Winter 2015-16 catalogue.

In opposition to the ‘designer mythicization’, Miyake put together a team of experts that goes ahead and experiments through the continuous exchange of information and skills. In fact only the contamination of ideas and the flow of consciousness could generate that innovation levels already became exclusive heritage of Miyake Maison.

Machines at work in Miyake Design Studio: pictures from ‘Pleats Please Issey Miyake, published by Taschen.

The creative process starts trying to solve three fundamental problems: to minimise the industrial waste starting from just one piece of fabric; to give back the three-dimensionality of the human body through the fabric bi-dimensionality and to guarantee to the other people practicality, movement and an exclusive perception of the self. Inside this frame it has developed the engineering and textile experimentations that brought to the realization of the already very famous pleating. During four decades Miyake together with its staff tested new materials, invented formal abstractions only made possible by the infinite fabric plasticity and by the high-tech machines built up over time. With the different lines, from the one carrying his name that shows the most avant-garde and poetic experimentations of the new steam stretch pleating, to Pleats Please, to Cauliflower, developed in just one size, to the Bao Bao bags, where the triangle modular repetition is the remarkable sign of an highly futuristic project, or moreover the latest 132 5. Issey Miyake (available in our shop from next Spring/Summer), in recycled pet, pressed like origami paper, Issey Miyake and his Design Studio are ambitious guests of the most prestigious contemporary art galleries.

Issey, Miyake, AW 2015-16, Fashion Show

Issey Miyake Autumn/Winter 2015-16

Issey, Miyake, 132 5, Origami, Line

132 5. Issey Miyake

So we can’t be taken away from point out, for whom will have the chance to be in Tokyo between next March and next June, the unmissable exhibition hold at the National Art Center:

MIYAKE ISSEY EXHIBITION: The Work of Miyake Issey

One of the most complete overview of Issey Miyake work and on the solutions, always in evolution, developed by his prolific creative team. And for the very first time the complex productive processes that allow the realization of the different expression of the most famous pleating will be shown and explained.

An overview from our catalogue Autumn/Winter 2015-16:

Issey, Miyake, Coat, Bao, Bao, Bag, Aw15

Issey Miyake calf-length coat in wool and polyester squares with a ribbon effect, shirt neck, two buttons closure, two welt pockets, lined.

Bao Bao Issey Miyake big squared shopper bag made by polish PRISMA PVC triangular plates repeated trough an origami calculation on a polyester base, double adjustable handles, big inner zip pocket, l 39 cm x h 39 cm.

Y’s Yohji Yamamoto tight leg jeans trousers in creased cotton canvas, 2 welt vertical pockets, 3 patch pockets on the back with and 2 overlapped, belt loops, zip and button closure.

Vivienne Westwood Mantero big scarf in very light new wool and silk gauze with Union Jack printing, small fringes along the edges, l 132 cm x h 100 cm.

Trippen ankle boot in soft cowhide leather with laces and stripes on a side, classic no-slip rubber sole with rounded toe.

Issey, Miyake, Shawl, Unamable, Skirt, Aw15

Issey Miyake rectangular shawl in steam stretch pleated polyester and polyurethane with a kaleidoscope effect, buttons on the four points, wearable both sides and in many different ways, h 70 cm x l 130 cm.

Un-Namable long and asymmetric skirt in a paper effect polyester fabric, with pleats in different directions, with press buttons.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.

Issey, Miyake, Skirt, AW, 2015-16

Issey Miyake skirt in stiff and narrow pleated polyester with a crystal effect, elastic band at the belt, wide and flared line, two welt pockets, wearable as a cape.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.

Issey, Miyake, Trousers, Jacket, AW15

Issey Miyake ribbed steam stretch pleated polyester jacket, wide shawled lapels, fitted at the waist, button closure.

Issey Miyake wool and polyurethane crêpe stretch trousers with contrasting colour belt, two diagonal pockets, two welt pockets on the back, diagonal panel stitched on the front, two buttons and zip side closure, soft line.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.

Issey, Miyake, Sweater, Trousers, AW15

Issey Miyake straight pleated top with diagonal multicolour pattern, long bat sleeve, V neck, rounded hem.

Issey Miyake wool and polyurethane crêpe stretch trousers with contrasting colour belt, two diagonal pockets, two welt pockets on the back, diagonal panel stitched on the front, two buttons and zip side closure, soft line.

Issey, Miyake, Sweater, AW15

Issey Miyake long top in  melange narrow wave pleated polyester and wool, V neck, egg line.

A punto B low crotch and low waist trousers in heavy cotton, zip and button closure, wide and moulded slightly tightening at the bottom, two vertical welt pockets.

‘Classic Trippen’ ankle boot in oiled suede cowhide leather with strings and small hooks, removable cork insole, rubber sole.

Issey, Miyake, Top , AW15

Issey Miyake top in horizontal narrow and grained bicolour pleated polyester, wide and doubled cowl neck, diagonal pleating on the breast till the sleeve.

Issey Miyake large balloon trousers in narrow wave pleated polyester, tighter at the bottom, elastic band at the belt, two side welt pockets.

Issey, Miyake, Scarf, Jacket, AW15

Issey Miyake squared shawl in stiff and narrow pleated polyester with a crystal effect, hole closure, h 80 cm x l 87 cm.

Issey Miyake hip-length jacket in stiff and narrow bicolour pleated polyester, single-breasted, lapels with detached points stitched on the neck, button closure, pointed sleeve on the cuffs, flared line.

Issey Miyake large balloon trousers in narrow wave pleated polyester, tighter at the bottom, elastic band at the belt, two side welt pockets.

Issey, Miyake, Pleated, Pea, Coat, AW 2015

Issey Miyake wide pea coat in  narrow wave pleated polyester with a multicolour optical effect, lapels, two buttons closure, ¾ flared sleeve, egg line.

Issey Miyake wool and polyurethane crêpe stretch trousers with contrasting colour belt, two diagonal pockets, two welt pockets on the back, diagonal panel stitched on the front, two buttons and zip side closure, soft line.

issey, Miyake, Jacket, Unamable, Skirt, AW15

Issey Miyake short and wide jacket in horizontal narrow and grained bicolour pleated polyester, single-breasted, shawl and doubled neck, button closure.

Un-Namable long and asymmetric skirt in a paper effect polyester fabric, with pleats in different directions, with press buttons.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.

Issey, Miyake, Jacket, Trousers, AW15

Issey Miyake hip-length jacket in narrow wave pleated polyester with a multicolour optical effect, single-breasted with lapels, buttons closure.

Issey Miyake wool and polyurethane crêpe stretch trousers with contrasting colour belt, two diagonal pockets, two welt pockets on the back, diagonal panel stitched on the front, two buttons and zip side closure, soft line.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.

Issey, Miyake, Jacket, Trousers, AW15

Issey Miyake bolero jacket in tridimensional pleated polyester, shawl neck with semi-circular edges pleating on the inside, button closure, ¾ flared sleeve.

Issey Miyake wool and polyurethane crêpe stretch trousers with contrasting colour belt, two diagonal pockets, two welt pockets on the back, diagonal panel stitched on the front, two buttons and zip side closure, soft line.

Issey, Miyake, Dress, AW15

Issey Miyake calf-length asymmetric dress in horizontal narrow and grained bicolour pleated polyester, wide and doubled cowl neck, diagonal pleating on the breast till the sleeve.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.

Issey, Miyake, A-Poc, Top, Trousers, AW15

Issey Miyake top in nylon and cotton A-poc bicolour fabric, asymmetric line, boat neck, flared sleeve, soften colours, frayed hem.

Issey Miyake stretch polyester and wool jeans-like trousers with small checks texture, two darts on the front, two side welt pockets, zip and button closure.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.

Issey, Miyake, Bag, Tunic, AW15

Issey Miyake calf-length nylon and cotton A-poc bicolour tunic dress, ¾ sleeve, amphora line, boat neck.

Issey Miyake small bucket bag in bicolour stiff soften and shiny polyester pleating, origami shape with three-dimensional star effect, string closure, small leather shoulder strap.

Trippen ankle boot in soft suede cowhide leather, with a comma elastic both sides of the ankle, with 2 shells sole.



 

Read More

Issey Miyake Spring/Summer 2014

He just turned seventy-six years old and he spent forty of them doing what he loves the most, the designer. And not a fashion designer but “simply” a designer as Issey Miyake prefers to be defined. During his long career he actually designed everything, from bicycles to exhibition spaces, design means life to him and designing involves create the time we are living.

Issey Miyake Spring/Summer 2014

So dresses are for Miyake another tool to experience, to express himself, to have fun and bring joy. Sensibility, curiosity and an undoubted ingeniousness brought him to the identification of techniques and materials so innovative that till now nobody has tried to emulate or imitate them. At the beginning of the 90’s with the launch of the Pleats Please line, Miyake brought his although simplified creations to a wider public. Similar to this operation, a new experiment is launched ten years later: Cauliflower, where the fabric surface recalls the cauliflower texture. Here ingeniousness solves the hoary problem of the sizes. A piece of clothing includes three of them and the whole collection is one size.

Issey Miyake Spring/Summer 2014

In the Issey Miyake Spring-Summer 2014 collection, designed by young Yoshiyuki Miyamae, the airy fabrics and the pleats turn light into something wearable. From the brighter white to the sunset-like dark red, passing by the intense blue of the sky during day-time, strips of rainbow parade on the catwalk.

Issey Miyake Spring/Summer 2014

The fabric experimentation dare the force of gravity with the diagonally or even radially pleating, producing in the dress unexpected drapes. The polyester fabric, usually a little bit shiny to substitute silk, becomes dull and looks like cotton. Or the warp of a light plain knitted fabric becomes pleated cloth without interruption. In this atmosphere of continuous inventions the music as well is not left to chance.

Issey Miyake Sprin/Summer 2014

The Japanese musician Ei Wada transformed television screens into percussions, using the light and the electrostatic emitted to create the sound, composing an innovative soundtrack, absolutely in line with the spirit of this brand: there is no nostalgia or reference to the past, the look is always turned towards the future, to find solutions to new challenges and new technologies to realize them.

Ei Wada Issey Miyake

 

Read More

Comme des Garçons dress Spring/Summer 2014

The first arrivals (Comme des Garçons, Junya Watanabe, Vivienne Westwood, Yohji Yamamoto, for example) for the next spring/summer season are starting to appear in store,

Read More

The aesthetic dimension of the showcase…

We have spent many years arranging our shop window as the natural showcase for the collections that change from season to season inside the store. It is a sort of metaphysical space in which to display and show off the spectacular nature of certain apparel, and especially our own fanciful interpretation of these items. There is no way for us to be sure that the general feelings and ideas we have about the collections are conveyed in the best possible way, on the other hand, the designers themselves often leave out or simply refuse to express the possible connotations of their collections.

So that’s how it is, an entirely arbitrary composition that takes over the main window of the store each week, as well as the less imposing side windows and interior cases!

It is a general image that employs a precise aesthetic lesson provided by that singular and indefinable concept of beauty known as wabi-sabi; something that different forms of the so-called Japanese school expertly make use of in clothing. Greatly simplifying, we might say that wabi-sabi is the opposite of all that which in aesthetic terms we call ‘luxury’. Luxury is glitter, flashy and smacks of something new and artificial, it is easy to reproduce and make widely available; it has a simple and explicit message. The beauty of wabi-sabi remains open in every sense to the changing times, trends and events, making it impracticable, if not impossible, to replicate. In the words of Leonard Koren:

It is the beauty of things imperfect,

impermanent, and incomplete.

It is the beauty of things modest and humble.

It is the beauty of things unconventional.

Yohji Yamamoto, long train dress in organic cotton serge, flared shape, slit neck with pointed stand up top edge, front joke detail, sleeveless, horizontally cut at rear, tiered hem, row cut edges

Katrien Van Heckedress in hand dyed silk crepe, print realized with airbrush and natural colours come from spices and herbs, round neck, center gathering folds, short sleeves, rear zip fastening, slightly flared shape, knee length

Vlas Blomme, reversible jacket, one side in shiny linen and silk and melange linen on reverse, garment washed, notched collar, front button fastening, welt chest pocket, two front flap pockets, long sleeves with slit at the hem, small vent at back

Katrien Van Hecke, oversize bomber jacket in hand dye silk crepe, print realized with airbrush and natural colours come from spices and herbs, front zip fastening, collar and hem band in knit ribbed hemp blend, slanted welt pockets, silk lining

Rick Owens, long top in rayon and silk fine jersey, front draped at one side, straight shape, loose fit, rounded v neck, dropped shoulder, short sleeves, asymmetric front hem

Trippen, ballerina in vegetable-tanned calf leather, wax finish treated, fold detail on the vamp, two cups rubber outsole

Cauliflower-Issey Miyake, stretch honey comb pleated top in multicolor mosaic pattern printed, low round neck, dropped shoulder

Deux Dans Umi, asymmetric dress in polyester and viscose jersey, irregular curved cuts patterned with draped and embossed effect, asymmetric neck line, front slanted slit detail, sleeveless, row cut edges, shorter at the back

Vlas Blomme, melange linen with bar stripe back, wide fit, shawl collar, dropped shoulder, long tapered sleeves, no fastening, upside down wearable with longer effect

Bao Bao-Issey Miyake, tote bag in multicolor flexible glossy PVC triangles, black adjustable handle, interior zipped pocket; length: 34cm, height: 34cm, handle: 38cm

Photographs by Sari Milan

 

 

 

Read More

No-one can say with certainty that winter is over, but the upcoming spring-summer is really taking the lead in store. It’s probably true that we aren’t able to observe the absolute sense of timing shown by other stores; we are slower, our change of season is not as prompt, and yet, it is difficult to think of collections that lend themselves to on-going consideration, new combinations and even the outdoor temperatures, as old or already seen and re-seen…

Nonetheless, putting aside our timeless devotion to each individual item making up our catalogue, and despite the date that it was included, we can’t deny the enthusiasm we feel with our new arrivals.

You can be part of the pulsating rhythm we are experiencing, the various landscapes between the photographic sets, dressing and organising of our girls, Benedetta, Amanda and Katia…A peep backstage, giving advance warning of the new season that has almost arrived!

Read More