www.ivomilan.it

   IVO MILAN – Radical Fashion Blog

Archive
Arte

Sacai
Despite having worked with Junya Watanabe and Rei Kawakubo for nearly a decade, Abe Chitose, the young designer of the Sacai brand, was able to distance himself from his illustrious masters and develop an original and personal interpretation of fashion and clothing.

Whilst the so-called Japanese school is more inclined to look at the artistic potential of clothing, Chitose brings it back to its original function of items that must adapt and be compatible with the various needs of everyday life. This absolutely concrete and practical dimension underlines the spaces and times of our social life and tries to find a solution for different circumstances. For this purpose, Chitose employs the classic formal schemes of ordinary, mainly Western clothing, but does not renounce the process of dividing it up and putting it back together, by applying the poetic delicacy that he acquired in his work environment.

In this original mixture of East and West, sheath dresses can be found, along with trench coats, blazers and also an explicit tribute to Chanel, that at the same time is a celebration of an eternal feminine, of an original elegance.

Without being trapped by boring and regular monotony, Sacai breaks the rhythm by introducing carefully chosen devices that systematically betray what our eyes were expecting: rough juxtapositions of fabrics; simple points of junctions between different prints and materials; unexpected gatherings or layers that are camouflaged by the apparent predictability of the forms.

In the delicate balance between innovation and repetition, what prevails is an impeccable, refined and essential female silhouette.

Read More

Issey Miyake
Issey Miyake’s art and vision can be defined in two short words: light and joy.

His garments are a feast for the eyes and the soul, and attract, amaze and surprise even an audience that is indifferent to the fashion world but is simply vulnerable to beauty.

The very famous Japanese maison created pieces that found a place in the most important modern art galleries, with their futuristic, revolutionary technology. Any shape can be devised, any shade of colour made real, without ever oppressing the human inclination towards harmony.

Miyake does not ask anyone to make an effort to understand his work, because all of us would like to have created what he has created.

The art-garment is expression and results from a powerful freedom of thought, that is emancipated from the constraints of the limited possibilities offered by the materials. The technique is able to set the matter free from its objective limits, and the matter itself, the fabric, can become subject to manipulation, can be moulded and modeled solely depending on the artist’s creativity.

Issey Miyake is not a designer, he is a genius who brought art into everyday life, enabling people to wear it. Be it a spectacular piece, or a more reasonable and sober item of clothing, it is always the same creation of a genius, because the fabric, its primary element, was treated in such a way as to make it unique.

Every collection shows structures and colours in their infinite expressive possibilities, in order to give way to charm and wonder in our lives. This is an incredibly generous creative gesture.

Read More

A long time collaborator with Rei Kawakubo for Comme des Garçons, Junya is with no doubts the most attentive interpreter of the cyber metropolitan spirit of current urban cultures.

He is now one of the biggest stars in international fashion, able to astound with his unfailing ability to transform materials that make up and describe the present industrial landscapes into suggestions that inspire his collections. Steel threads, brass bits and pieces, plexiglass plates and fabrics for industrial use are modified and translated into sculptures that can be worn, signs of a time that is decoded by a complex intellectual project, rather than by transient products of mass business.

The expressive ability of the Japanese designer, however, is surprising even when he makes variations on his own inspirational standards. More than recalling futuristic and hyper-technological distressing moods of a modern megalopolis, the spring collection suggests the relaxing holiday mood of indefinite seaside resorts.

Faceless masks march on parade in a timeless moment, in spaces that are far from the daily frenzy, whilst the volumes fit with slowed down and light-hearted life rhythms.

The bodies, that are shaped in the usual complex female silhouettes, float in extremely light georgette fabric. The items of clothing are compositions of jackets, cardigans or simple shirts with draped skirts, made of different patterns and fabrics, or fresh summers skirts.

The navy blue and the recurring cream colour of the backgrounds outline seaside, summer moods, and imagination is carried away within the heat, the promises and the well-being of a season that is anticipated and longed for so much.

Read More

Ancora una volta Rey Kawakubo ci riesce a stupire trovando nuovo modo di decostruire gli indumenti più elementari e di trasformarli in opere d’arte.

Nel video seguente, un breve estratto della sfilata di Parigi in cui veniva presentata la nuova collezione Primavera-Estate 2011.

 

Read More

Yohji Yamamoto at the V&ANext spring the V&A will open the first UK solo exhibition celebrating the life and work of Yohji Yamamoto, one of the world’s most influential and enigmatic fashion designers. This installation-based retrospective, taking place 30 years after his Paris debut, will feature over 80 garments spanning Yamamoto’s career. The exhibition will explore the work of a designer who has challenged, provoked and inspired the fashion world.

Read More