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September, 2017 Monthly archive

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Quai d’Austerlitz, at the Cité de la Mode et du Design, is the meeting of the Fall/Winter 2017-2018 presentation of the great master Yohji Yamamoto. A place unequivocally linked to the belonging sector and, maybe, an invite to dive with more care into the concepts of ‘fashion and design’. While the world is crazily running towards an irreversible loop of textile overproduction and creative inflation, the Japanese designer welcomes his public in an abstract and deserted temple, dilated by the quiet incipit of the show, articulated in the first moments only by the constant shots of the photographers.

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Space and time seem to loosen, returning to the manifestations of the human dimension, the expressive and artistic possibilities that have always distinguished the degree of civilization. Yohji is rooted in the contemporaneity, giving its grace back, is metropolitan and poetic, is a designer and a narrator of emotions embodied in dress. The rhythm and the gait are slow, the soundtrack is calm, reassuring and this mood favors a concentrated abandonment to the elaborated and evolved representation of his vision of femininity. Collected in asymmetrical folds, emphasized in the measurements and proportions of slim fit jackets along the sides and cleverly draped in a way that possible imperfections can be disguised. Fabric layers that extend in clever diagonal levels, textile accordions that take the place of the obvious and rigorous lapels. Each item denies the contemporary cultural trends, opposes ingenuity, portability, and decorative solutions of bold tailoring and compositional abilities.

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Tailor/poet of the black, Yohji does not surprise us by preferring once again the non-color, only the high formal complexity, the radiant gesture of pictorial brushes in accomplice balance with folds and cuts, to reveal a clear passion for the female universe, ideal palette of his most poetic achievements.

Following some of the moments from the show-room while making our choices

video-show-room-yohji-yamamoto-blogFind online the new Fall/Winter Collection of Yohji Yamamoto

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Autumnal fogs, suspended mists, muddy skies, burnished colors, the dried fruits of winter and the woody stumps, ardent in the domestic intimacy of the fireplace. And again the time, spent between the familiar sounds of youth, absorbed in first and instinctive drawings, and the loom, the knit, the crocheting. Collected atmospheres, cyclical and slow, placid dimensions, wondering in the feverish sound of the daily metropolitan life.

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Always attributive to the most striking seasonal atmospheres, Daniela Gregis‘s work accompanies the audience in a dive, both visual and sensible, into the prevailing tones of her Fall/Winter. It is not hard to imagine the winter territories of northern Italy in the crumpled gray of washed cotton, or in the charcoal marks of the ruffle brushstrokes of crêpe. Views of pale skies appear in the cashmere, melange or checked, and that recurring brown of local shrubs comes back in warm beige shades or more singed in the backgrounds of childish sketches.

The designer from Bergamo does not cultivate melancholic perceptions of this long season, it revives it instead, with important lengths of clothes and chromatic explosions of accessories,

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a playful and aristocratic vision of winter, of the city time, of work and of urban itineraries par excellence. Staggered textiles overwhelm the weather, the melancholy and apathy, invite to mix and recombine, to cultivate the well composed and cured hilarity of good living…

A closer look at Daniela Gregis Fall/Winter 2017-’18 fashion show directly from the Oratorio della Passione – Basilica di Sant’Ambrogio, Milano:video-youtube-daniela-gregis-blog

Find online the new Daniela Gregis Collection

 

 

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