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The apostrophe in the name stands for the strong paternal feeling that Yohji Yamamoto has for the Y’s line. This line is only second to his first line of clothing, the one which bears his whole name, in the sense that is yet “another” line. The product makes use of recurring themes, like asymmetries and cross cuts and the quality fabrics draw upon the erudite Japanese textile culture.

With the Y’s line, Yohji translates his daring poetic projects into the everyday more freely than in the first line. In fact, these are reworked in a less austere, more usable and practical way.

Re-dimensioning the abstract stylistic forms that have made him famous, Yamamoto makes space for colour, so frequently avoided in favour of strong monochromatic themes like black, white and red, which enhance and metabolize more complex tailoring work. These are also present in Y’s, but simplified and with volumes sensibly contained, creating attractive silhouettes for a younger audience, yet always mature enough to incorporate refined exoticism.

Yamamoto never presents the Orient in a quaint or traditional style, but rather as a mental place where Western clothing styles are fused and transfigured through edge-to-edge cuts, textile weaves and the imbalances of Japanese aesthetics.

Frayed houndstooth,

dry outwear in soft boiled wool faded unevenly,

and then, crisp fabrics,

shirts printed with worn newspaper

and spartan denim, ennobled by the unusual shapes of jeans, make up a part of the varied and original selection for the current season.



 

 

 

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Overviews, new outfits and details that can be seen from a close view from the Padua boutique.

A real and evocative point of view, to make the acquaintance of the complex new collections of the autumn-winter 2011/2012 catalogue.

 

Daniela Gregis jacket, t-shirts Cauliflower, pants Pleats Please and boots Trippen

Bags Craig-New Zealand

T-shirts hung Cauliflower – Issey Miyake

Silhouette Cauliflower – Issey Miyake

Cauliflower and Pleats Please – Issey Miyake landscapes

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Even if this Italian autumn is going to be late this year, our shop has already received and checked the fantastic items of clothing that were made in Japan, France, Germany, Italy.

Coat Issey Miyake

Our new collections come from these countries, places that produce excellent clothes that are usually assembled in various places and have a small distribution, therefore can only be found in a few boutiques in the world.

These are days of hard work, but also of great enthusiasm, curiosity and devotion, in order to keep our online catalogue updated with the pictures of all the new pieces, as soon as we receive them.

Being IVO MILAN a family business, there is an inevitable delay between the arrival of the supplies and the update of the catalogue.

We really hope you will understand that this is a complex, gigantic activity, that is carried out by a very small number of people.

Whilst we are doing our best to keep up, you can have a look at our shop and at the online catalogue; it shows the preview of some of the new clothes that have not been published yet in the fall-winter 2011-2012 catalogue.

Dress Pleats Please

 

 

Dress Sacai Luck, boot Trippen

Boot Marsell Goccia, bag Pleats Please, hat Scha

Shirt Comme des Garçons-Comme des Garçons

 

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This piece was thinked to be published in a kind of magazine such as ELLE UK, one of the best fashion magazine, where articles used to talk about fashion differently from the ordinary publications. It is a magazine that keeps an eye on the most innovative trends and on the most particulare personalities.

This piece could be relevant for the reader to see how in Italy the attention is not focused only on the Italian fashion that everybody knows, but it is possible to find “fashion researchers” that really believe that fashion is not only buisness but, first of all, a non-stop innovation-seeking.

The Radical Fashion Shop

by Francesca Ferlin

Outfit Y'S, shoes TRIPPEN, hat SCHA

Orlando Milan has always believed that, in order to dress someone’s body, you first have to dress his mind. This is one of the first things you should know when you visit his shop in Padua. IVO MILAN is located in the central Via Santa Lucia in a striking Romanesque house, currently the oldest civil standing building in town; even a quick first glance at the window reveals that this is no ordinary shop: dim lights illuminate a precious dress and suddenly it feels like being in a museum admiring a scuplture in a casket. The way that the windows are settled, the use of the lights, the mixture of the colours for the background, used to enhance the shapes and the shades of fabrics, are all clues that this is no mere fashion, as the attention is drawn to the art that springs from fashion.

T-shirt SACAI, boot TRIPPEN

In 1945 Ivo Milan, Orlando’s father, following his family tradition, opened his fabrics shop, manufactured clothes and named it after himself to distinguish it from his brothers’ businesses which bore the same family name. In 1967 Orlando joined the father’s company as a co-worker, and after his death, started the long work that made IVO MILAN the shop that is known nowadays. So this is supposed to be a traditional family-run business, where family values have gone from generation to generation and time seems to stand still. But Orlando Milan is not of this opinion: “Through these years we have always tried to maintain the values that my father taught me, the importance of the manufacture and the indispensable quality of the fabrics, but nowadays the guidelines of the shop are something new that I have built during this forty years of experience inside the fashion industry.”


Milan’s experience is a long path that has experimented various forms of fashion and arts, through
the first Versace and Armani collections at the end of the 70′s (IVO MILAN was one of the first shops in Italy that started to sell these brands) to Japanese fashion, which in the last twenty years has distinguished this retailer from the others. Key brands that make this shop unique in its kind are Yohji Yamamoto, Junya Watanabe, Issey Miyake, Rick Owens, Martin Margiela, Shu Moriyama, Jun Takhashi and Comme des Garçons, the brand that best embodies the philosophy of the shop. Rei Kawakubo is a fervid supporter of trying to know what “has never been seen before”, and this is the most important guideline that Mr Milan wants his shop to follow: nothing must be mass-produced and everything must be different from what one usually sees. This principle is applied to everything that concerns the shop, from its furniture to the selection process that goes on behind the displaying of clothes. In fact, the limited production and circulation of the labels sold in the shop exists alongside a specific principle which determines how to choose everything that will be sold. “This principle is one which takes into account the requirements of a very well-educated, niche Paduan clientele, whose taste has not been shaped by the influences of media and television, and whose interests lie in those very special purchases – in authentically creative ones, if not in ones with a strong artistic value” says the shop owner.

Dress COMME DES GARÇONS
So the customers have to be
open-minded and be endowed with a marked inclination for artistic values to understand IVO MILAN’s fashion. Radical Fashion, as Mr Milan used to call it. This name has been adopted after the Radical Fashion Exhibition at the Victoria & Albert Museum in 2002, where the designers that Orlando Milan loves the most and has chosen to sell, were displayed in a collective exhibition, from Yohji Yamamoto to Comme des Garçons. “This exhibition really reflects my idea of fashion and these designers are, to me, the real essence of this concept.” he states. They are “radical” in the full sense of the word: they are “revolutionary” and they are “rooted” in the art. They cut through ideas as well as fabric. Challenging established views, they have committed their lives to seeking ever more demanding expressions of “beauty”, with diverse and often provocative results”.

T-shirt vintage COMME DES GARÇONS
But which is his conception of beauty? Again, the inspiration comes from Japan: “The guideline that always has inspired me comes
from the Japanese concept of beauty, that is “the aesthetics of imperfection” (wabi-sabi). I am against the logic of homologation and of display of wealth that inspires great European fashion, especially in these last years. I prefer to give my customers the possibility to portray themselves through an “understatement styleor with an idea-dress that draws the attention to the originality and to the independent spirit of the person wearing it.”

Sweater OYUNA

Detail sweater OYUNA
For IVO MILAN, fashion is something far from the conventional concept that everybody is accustomed to. First and foremost,
fashion is research, is an exploration of the unknown. Here ideas come first, the most interesting part of a dress is not how it was made but why. What is it that lays behind the creation? How can a designer elaborate an idea and transform it into something that everybody can wear? These are only a few of the questions that Mr Milan wants customers to ask themselves as they wander around the shop. Because the most important thing is not to sell a dress but to make customers aware of what they are going to buy, something that stands over the trends, something that will rest forever as a unique work of art. And how is it possible to make the right choice, to find the piece that will fit perfectly and will be always with you? “Know yourself and let the dress be simply a continuation of your person”.

Hat SCHA

Shoes TRIPPEN

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Certainly, only a few people know what happens when Ivo Milan is asked an apparently simple question, that is to wrap a gift. If the request comes from the web site, it is impossible to know how long it takes. If it happens in the shop, the customers are kindly asked to go out and do other things, in order not to spend their time waiting. Even if it might sound as a nuisance, the surprise and wonder in front of the result are inevitable.

In fact, it is hard to expect that a package, that is often neglected and made banal with impersonal papers and ribbons, might be conceived as something poetic, that is able to cause pleasure and emotion in the person who receives it.

Sari’s hands and dreams turn the box to unwrap into a canvas where imaginative drifts can be painted, art performances to be admired and photographed… because their life is really short, they will be unwrapped in a few minutes.

A new service that might be considered useless, that is nevertheless a generous expression of kindness. Such kindness is shown through a completely unknown language, that is able to enhance the real value of the gift.

Since 16 years ago, when she joined the family’s company, Sari Milan has been able to adapt her inventiveness to the strongly innovative spirit of the company, by devoting herself to the tasks that agree with her self-expression: shop windows, communication and installations.

Of course, if requested, she will wrap your gift.

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