IVO MILAN – Radical Fashion Blog


Marisa e Adriana, IVO MILAN

Have you ever thought about communicating through what you wear?

Silvia, a very fond client of IVO MILAN, talk about this in a text she sent us after choosing with great determination the dress that should represent her during the thesis defence.

Don’t be scared of the amount of words… If you are interested take your time to read it!

What is a dress?


It is something that we choose to place between us and the world every morning.


The dress is a boundary, in other words a line which separate two territories and put them together at the same time: it is the point where two regions meet, a place where contacts happen, where you learn new information, new concepts and new visions, a means of encounter between us and the world which is made of other people.


So the dress is not just a passing fancy but it is a powerful means of communication that we use daily and without a break, at the same level of the voice, the glances and the body movements. A means that represent us and on which tissue communicative meeting and clash take place going beyond the surface, building stories and dialogues on different visions of the world.

The dress becomes a means to tell, to receive, to declare, to listen.

In brief it is an extraordinary means of connection.

Vivienne Westwood outfit 2014

And for all these reasons a dress became part of my degree thesis: it was an irreplaceable fellow able to help me in telling my efforts, my joy and the discoveries of my studying.


My degree dress had the task of represent myself in the staging of the last act of my growing path (as a student but also as a person), and I entrusted it of the representation of my position towards what I asserted in the graduation thesis, dedicated to the internal companies communication, intended as a communicative exchange inside the company borders, translated then into communication towards the world through the production of documents, such as balances, messengers of a global organization identity. Exactly in the same way my dress became a witness of my humanity, of my ironic gaze towards the world and also of some specific meanings of my paper about the mutual relation and listening.

Considering how it came so naturally to me looking for a dress that I could feel truly mine (or rather that was able to tell me what I wanted to say to the others), I thought that the dress was a toy to me, an encounter invitation.

Issey Miyake Spring/Summer 2014

I regard the dress as a boundary where I invite the others to play, where any invention or good idea become a challenge and an invitation to connect, an open dialogue, a mutual discovery desire, even through a “fabric statement” that could seem weird or provocative towards the “common feeling”.

While I was realizing this I thought that some people could be not interested in playing and they could choose the “silence of the dress”, hiding themselves from the others, eluding the connection and wearing an accepted idea. Maybe these people try to be reassured because a “silent” (or mute) dress doesn’t open any dialogue, it limit itself to assert concepts and existences that carry out themselves following codified and generally accepted rules and so, by definition, not under discussion. That “sewn silence” turn the dress boundary into a frontier, or rather into a place with specific limits which represent a closure towards what is beyond it.

Comme des Garçons shoes Spring-Summer 2014

Pleats Please Spring/Summer 2014

I thought that maybe the comparison fear could bring to the silent dress.

Yohji Yamamoto Spring-Summer 2014

On the contrary, the day of the thesis defence I wanted a dress that would contribute to it, representing the meanings of the relation, intended in its extended sense, becoming the symbol itself of some of the most diverting concepts of my paper.

Issey Miyake outfit Spring/Summer 2014
This dress take me to the conquering of my degree that I was yearning for since a long time and I’m grateful to it because it testified me better than I could ever be able to do with my own words.


Silvia Parolin, ladysyla@gmail.com






Read More

Junya Watanabe Spring/Summer 2014

Paris Fashion Week for Spring/Summer 2014 ended a few days ago and, though a lot has already been talked about in various online magazines, we can’t help but share our enthusiasm and our experience – as we have in times past – by offering a brief pictorial glimpse of what is coming to the store.

Read More

Vivienne Westwood Spring/Summer 2014

Sari and Orlando Milan, among the people for the Vivienne Westwood fashion show…September, 28th, Rue du 4 September, Le Centorial

Read More

Elle Venturini for Ivo Milan, Padova

As many of you know, IVO MILAN of Padua had the honour of hosting the first exhibition by the Friulian designer Lucia Venturini from 5 to 18 June this year.

Elle Venturini for Ivo Milan

It was an exciting experience, not just for the visionary beauty of the models on display, but also thanks to the energetic participation and the rich exchange of opinions in the lively gathering of old and newfound friends, all united by their curiosity for the event and an undeniable and deep-rooted passion for experimental clothing styles.

Here, a little late perhaps, we are pleased to feature a brief presentation of Elle Venturini‘s proposals as a small thank you to those who were kind enough to visit us and give those who could not enjoy it live a glimpse of what they missed.

Elle Venturini for Ivo Milan overview

Elle Venturini for Ivo Milan detail

Elle Venturini for Ivo Milan white detail

Elle Venturini for Ivo Milan creased detail

Elle Venturini for Ivo Milan black jacket

Elle Venturini for Ivo Milan micky mouse skirt

Elle Venturini for Ivo Milan t-shirt stripe

Elle Venturini for Ivo Milan black dress

Elle Venturini for Ivo Milan black dress detail

Elle Venturini for Ivo Milan skirts detail

Elle Venturini for Albero dei Fiori

Elle Venturini for Ivo Milan red skirt detail

Read More

Flowers and Terracotta…

Cultural encounters and events allow us to remember that IVO MILAN is more than just an online catalogue available anywhere in the world and that it is first and foremost an actual store, located in the historical centre of Padua, Italy. The store’s location makes it a highly visible meeting point that lends itself to exchanges between people from diverse backgrounds, united by a strong aesthetic sense and the desire to share their work with the public.

Here are some pictures taken last Friday evening, when a show by the sculptor Elio Armano graced the locations of ALBERO DEI FIORI, MARIJKE STUDIO – Fine jewellery and IVO MILAN.

The three different shops are not simply linked by their locations next to the intersection of Via Boccalerie and Via Santa Lucia, but mainly by their close professional affinity. MARJIKE STUDIO and its showcase display avant-garde contemporary art jewellery,

ALBERO DEI FIORI has endless and suggestive flower arrangements that colour and perfume the narrow porticoes of the street

and the shops nearby.

These three different shops are united by friendship and, on this occasion, by the works of Elio Armano. The recent birthday celebration for Simonetta (Albero dei Fiori) provided an excellent chance to get together and play host to as well as work around a shared idea of ​​beauty… a festive event that we celebrated in the style ​​that we adore and that exemplifies us the most!

Photographs by Sari Milan

Read More