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	<title>IVO MILAN - Radical Fashion Blog &#187; occidentali</title>
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		<title>Sacai spring-summer 2011</title>
		<link>http://radicalfashion.ivomilan.it/en/abbigliamento/sacai/</link>
		<comments>http://radicalfashion.ivomilan.it/en/abbigliamento/sacai/#comments</comments>
		<pubDate>Thu, 19 May 2011 08:37:08 +0000</pubDate>
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				<category><![CDATA[Abbigliamento]]></category>
		<category><![CDATA[Arte]]></category>
		<category><![CDATA[Design]]></category>
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		<category><![CDATA[blazer]]></category>
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		<category><![CDATA[Chanel]]></category>
		<category><![CDATA[classic formal schemes of ordinary]]></category>
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		<category><![CDATA[japanese fashion]]></category>
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		<category><![CDATA[mixture of East and West]]></category>
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		<category><![CDATA[Rei Kawakubo]]></category>
		<category><![CDATA[rought juxtapositions]]></category>
		<category><![CDATA[Sacai]]></category>
		<category><![CDATA[scuola giapponese]]></category>
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		<category><![CDATA[Western clothing]]></category>

		<guid isPermaLink="false">http://radicalfashion.ivomilan.it/?p=449</guid>
		<description><![CDATA[Despite having worked with Junya Watanabe and Rei Kawakubo for nearly a decade, Abe Chitose, the young designer of the Sacai brand, was able to distance himself from his illustrious masters and develop an original and personal interpretation of fashion and clothing. Whilst the so-called Japanese school is more inclined to look at the artistic [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><a href="http://www.ivomilan.it/it/brand-234.htm"><a href="http://radicalfashion.ivomilan.it/wp-content/uploads/2011/05/Sacai.jpg"><img class="aligncenter size-medium wp-image-671" title="Sacai" src="http://radicalfashion.ivomilan.it/wp-content/uploads/2011/05/Sacai-278x300.jpg" alt="Sacai" width="278" height="300" /></a><br />
</a><span style="color: #000000;"><span style="font-family: Arial,sans-serif;"><span style="font-size: small;">Despite having worked with <strong>Junya Watanabe</strong> and <strong>Rei Kawakubo</strong> for nearly a decade, <strong>Abe Chitose</strong>, the young <strong>designer </strong>of the <strong>Sacai brand</strong>, was able to distance himself from his illustrious masters and develop an original and personal interpretation of <strong>fashion </strong>and <strong>clothing</strong>. </span></span></span></p>
<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: Arial,sans-serif;"><span style="font-size: small;">Whilst the so-called <strong>Japanese school</strong> is more inclined to look at the artistic potential of clothing, Chitose brings it back to its original function of items that must adapt and be compatible with the various needs of everyday life. This absolutely concrete and practical dimension underlines the spaces and times of our <strong>social life</strong> and tries to find a solution for different circumstances. For this purpose, Chitose employs the <strong>classic formal schemes of ordinary</strong>, mainly <strong>Western clothing</strong>, but does not renounce the process of dividing it up and putting it back together, by applying the <strong>poetic </strong>delicacy that he acquired in his work environment. </span></span></span></p>
<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: Arial,sans-serif;"><span style="font-size: small;">In this original <strong>mixture of East and West</strong>, sheath <strong>dresses </strong>can be found, along with <strong>trench coats</strong>, <strong>blazers </strong>and also an explicit tribute to <strong>Chanel</strong>, that at the same time is a celebration of an eternal feminine, of an original elegance. </span></span></span></p>
<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: Arial,sans-serif;"><span style="font-size: small;">Without being trapped by boring and regular monotony, Sacai breaks the rhythm by introducing carefully chosen devices that systematically betray what our eyes were expecting: <strong>rough juxtapositions</strong> of fabrics; simple points of junctions between different prints and materials; unexpected gatherings or layers that are <strong>camouflaged </strong>by the apparent predictability of the forms. </span></span></span></p>
<p style="text-align: justify;"><span style="color: #000000;"><span style="font-family: Arial,sans-serif;"><span style="font-size: small;">In the delicate balance between innovation and repetition, what prevails is an impeccable, refined and essential female silhouette.</span></span></span></p>
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