It has been a while since we not coming back to the space/workshop that contains every our activity: online catalogue composition, shop windows, communications, presentations and everything in general gives life to the shop. In fact everything takes place inside the boutique in Via Santa Lucia, in Padua city centre. Here the collections selected during the buying campaign find their placement, they are interpreted and put together in combinations possible only in context where different brands live together, as happens in our space. For this reason it seems to us interesting sharing fresh seasonal glimpses that is not possible to imagine just watching the pictures on the website.

Talking about this…any suggestion to improve our job? The pictures with a darker background, lights and shades extending the garments movement, slow down the catalogue exploration or instead allow to understand with more likelihood the wearability of jackets, dresses, sweaters, etc?…

Details from the main shop window:

Y’s Yohji Yamamoto embroidered satin evening dress with small squares in polyester and rayon opened on the back, – strapless, inner bodice, central zip back closure, one high side buttons, two side slits.

Classic unisex ‘Final Home’ raincoat in nylon canvas, neck with zip and hood, vertical zips for the padded ‘cushions’ (it becomes a winter down jacket) on the front, on the back and along the arms, zip closure with double slide and press studs.

Trippen boot in cowhide leather and rubber sole, rounded tip, upper part with half-closed stripes on the front, zip closure on the ankle back.

Small shop windows:

Shopper Bao Bao Issey Miyake composta di placchette triangolari di pvc opaco replicate con calcoli origami su base in rete e tela di poliestere, doppi manici regolabili, una grande tasca interna con zip, l 34 cm x h 34 cm;

Trippen boot in cowhide leather and rubber sole, rounded tip, upper part with half-closed stripes on the front, zip closure on the ankle back.

Vertical shop window:

Vivienne Westwood Red Label two pieces dress in linen cotton canvas with diagonal checks pattern: ¾ sleeve top, curled rounded neck with drawstring, closure with fabric-covered small buttons; flared skirt, darts on the back at the hip, zip and button side closure.

Final Home polyester net blouson with zip, neck with hood, two vertical small pocket with zip, zip closure, zips along the arms and the shoulder transforming the blouson in a cape when open.

Calf-length Comme des Garçons quilted skirt in printed polyester with ‘red passion’ spots and cotton lining, curled at the waist, waist and elastic band at the belt, wide line.

Pleats Please Issey Miyake polyester vertical pleating dress doubled along the hips with triangular inlays in contrasting colour, sleeveless, V neck, flared line.

Pleats Please Issey Miyake polyester vertical pleating short jacket, straight neck, open on the front, no buttons, ¾ bat sleeve, wearable upside/down.

Trippen flat shoe in flatted cowhide leather, essential line with inner edge higher on a side, two separated rubber shells sole.

Comme des Garçions open-work waistcoat top in glossy polyurethane on the outside and polyester on the inside, crew-neck, zip side closure, straight fit, raw cut edging.

Comme des Garçons calf-length skirt with a cotton base with ‘red passion’ printed spots doubled with printed tulle with the same pattern, slightly curled, zip closure, wide line.

Yohji Yamamoto wide trousers jumpsuit in wool gabardine with rhinestone and silk braces with metallic stitched sequins, central zip closure on the front, 2 vertical welt pockets on the breast, 2 on the side and 2 on the back with flaps, side vertical buttons.

HaaT calf-length dress in high twist squared linen, boat-neck, half sleeve, panel to be buttoned on the side with buttons, back central zip, asymmetric.

Daniela Gregis ‘rectangle calf-length dress, one side in watercolour printed effect linen canvas and one in linen gauze, boat neck, flared sleeve stitched on the inside, side small buttons, same fabric belt, ‘Gregis’ hole, reversible front/back, it becomes a shawl.

Daniela Gregis waterproof silk faille overcoat with spots pattern, two patch pockets, ‘Gregis’ holes on the sides.

Daniela Gregis bags.

Reinhard Plank bonnet style hat in loom operated straw hat, narrow rolled up at the edges brim forming a rose on the side.

Mae belts.

Boboutic calf-length skirt in stocking stitched cotton, stainless-steel and viscose with in movement ring deformable threads, elastic band at the belt in contrasting colour, side welt pockets, slip.

Bao Bao Issey Miyake hold-everything purse made by PVC triangular plates repeated trough an origami calculation on a polyester base, zip closure, l 24 cm x h 12 cm.

Bao Bao Issey Miyake small rectangular shoulder bag made by platinum metallic PVC triangular plates repeated trough an origami calculation on a polyester base, small metallic detachable shoulder belt, smooth base with 2 metallic plates, l 13,5 cm x h 15,5 cm.

Photography by Sari Milan.

A triple play on words, whose different meanings and similar sounds form the meaning of both the HaaT brand name and project, launched in Fall/Winter 2000 by the legendary Maison Issey Miyake textile director, Mikiko Minigawa.

The first word ‘Haat‘ means ‘village market‘ in Sanskrit, which is the symbolic place for a clothing line that draws on a wealth of techniques, materials, and different cultures. The second word ‘Heart‘, in its meaning of ‘centre‘, refers to the traditional and established processes behind the various seasonal items. The third and final word ‘Haath‘, which also comes from Sanskrit and means ‘hands‘, seeks to convey the subtle connecting points between Japanese design and local craftsmanship.

Although HaaT is a stand-alone product among the numerous Issey Miyake designer lines, it owes its creation both to sophisticated, super-technological company laboratories and to the most traditional Japanese and Indian workshops, the last custodians of ancient, rare and complex textile processes. This unprecedented collected knowledge, both time-honoured and ultra-modern, brings forth the warmth of handmade clothing, along with the design and durability that only the best industrial products can offer.

Each item, whether it be a simple T-shirt or the most elaborate coat, truly represents an extraordinary and excellent example of cultural syncretism. The splendour of jacquard fabric printed with subtle Mesoamerican scenes and Maya compositions, the expressions of colour and texture techniques that are absolutely unique even in Japan, the endless blending of weaves, points and applications in the knitwear, or of some cotton versions with the famous Issey Miyake wrinkles, call upon powers of observation and a desire to be surprised!

Come and have a look for yourself at the IVOMILAN on-line catalogue – and don’t forget to zoom in on the images!